Galen on Griffox & Luna TUTORIAL – Francesco Farabi – PDF (eng)

The Galen and Luna tutorial is a downloadable 69 page PDF by Francesco Farabi built around one of Kimera Models’ most atmospheric TENEBRAE projects. Rather than teaching a single isolated figure, this guide walks through the chromatic logic of the entire composition, showing how Galen, Griffox, Luna and the scenic base are unified through a controlled green and red palette. It is a strong study resource for painters who want to think in terms of rhythm, focal points and narrative color, not just recipes.

Inside the Galen and Luna tutorial, Farabi covers the initial airbrush sketch, the chromatic map of the project, non metallic metal on Galen and Griffox, red cloth, fur texture, freehand logic, the environmental base and Luna’s dark skin, turquoise gown and green gold details. The PDF explains why each choice works, including how to balance warm and cool reflections, how to keep metal believable without using metallic pigments and how to stop a large project from turning into visual chaos. That makes it useful well beyond this single diorama.

This Galen and Luna tutorial sits naturally beside the official tutorials section at https://www.pegasoworld.com/product-category/tutorials-shop/, the Kimera Models page at https://www.pegasoworld.com/kimera/, the TENEBRAE range at https://www.pegasoworld.com/product-category/kimera-shop/kimera-teneb/ and Kimera Kolors at https://www.pegasoworld.com/product-category/bases-accessories/kimera-kimera-kolors/ if you want the paints most closely aligned with the project. For inspiration and community paintjobs, follow Kimera on Instagram at https://www.instagram.com/kimera_models/, Facebook at https://www.facebook.com/kimeramodels/ and YouTube at https://www.youtube.com/@kimeramodels. Supplied as a downloadable PDF, this guide is ideal for advanced painters, workshop students and anyone who wants a serious reference on NMM, palette control, base integration and large scale fantasy storytelling. It also discusses washes, matte varnish, texture building, drybrush on terrain and the subtle way Luna is pushed back in the composition so Galen remains the main focal point without flattening the scene for the viewer.